Author: Kate McMurray
Pages/Word Count: 239 Pages
At a Glance: Across the East River Bridge, in its second go-round, is every bit as good now as it was in its original release.
Reviewed By: Lisa
Blurb: When historian Christopher Finnegan walks into a new museum in Brooklyn, he’s chagrined to learn its curator is his old academic rival, Troy Rafferty. Worse, Troy is convinced the museum is haunted and wants Finn’s help learning more about the ghosts. Finn and Troy have never gotten along and Finn wants to run screaming, but then Troy offers him an intriguing proposal: Troy will help Finn with a research project for his overbearing boss if Finn will help Troy solve a mystery involving two men who died in the building under mysterious circumstances in 1878.
Finn and Troy piece together the two men’s lives–and the quiet romance that grew between them–through diaries, newspaper clippings, and police reports. They’re both soon convinced the men were murdered. They’re also convinced the ghosts are real even Finn witnesses paranormal phenomena he can’t deny–and that they’re capable of affecting thoughts, feelings, and actions. When Finn and Troy start falling for each other despite years of animosity, Finn worries he’s being manipulated by the ghosts to stay with Troy and solve the case. Troy is convinced the love between them is real, but he’ll need to figure out how to get rid of the ghosts in order to prove it.
Review: I first read Kate McMurray’s Across the East River Bridge back in September of 2012. A few years and more than a few hundred books later, when I chose to review it in its second edition release, I’ll confess that while I had the plot basics down, I clearly had forgotten some of the finer details that made it such a fantastic read—both the first time and now, the second. This book is many things rolled into one: an enemies-to-lovers story, a contemporary romance, a historical romance, a tragic romance, and then, to top it all off, there’s a paranormal mystery dating back to the 1870s that this author managed to finesse into a touching and sometimes intense read.
McMurray leads us into the story in modern day Brooklyn, where we learn that Christopher “Finn” Finnegan and Troy Rafferty have a history of their own—rivals from their college days, Finn has spent more than a decade loathing golden boy Troy for sabotaging his academic career by discrediting his dissertation research, which then resulted in Finn’s funding being pulled. Amongst the animosity that Finn still feels toward Troy all these years later is an undercurrent of sexual tension that’s been there between them from the start. And, added to it, there’s an intense frustration that Finn is still attracted to someone he hates so thoroughly—or tries to hate so thoroughly, at least. The setup for them working together, then, is a great foundation for the conflicted feelings Finn has throughout the book—how can he hate Troy and still want him so intensely? And how can Finn look inward in any sort of honest and rational way and continue to blame Troy for his failings? I have to say I felt a lot of frustration myself toward Finn throughout this book. His stubbornness and scapegoating of Troy makes it hard to excuse some of Finn’s actions and reactions, but a lot of that for me is because Kate McMurray makes Troy such a likeable and charming character. Where Troy may be intended to be Finn’s foil, it actually worked the other way around, and I liked the turning of the tables.
Where the author infuses this book with a terrible poignancy is in the historical research Finn and Troy delve into to uncover the mystery of Brill House, the museum of which Troy is now curator. There is a ghostly presence or two in Brill House that seems to lead directly to one-time owner Theodore Brill, and a border who eventually became Teddy’s lover, George Washington Cutler. Their story, of course, carries with it all the ingrained difficulties of the time in which these two men lived and loved. As Troy and Finn continue their investigation into Teddy and Wash’s deaths—an apparent murder/suicide—they uncover more questions than answers about the way in which the couple died. And, in the process, begin to agitate the spirits of the deceased as the ghosts become desperate for the truth of their deaths to be revealed. I 100% loved this aspect of the novel, not only from an emotional standpoint but from a writing standpoint as well. As Finn and Troy get closer to the truth, the more the tension and suspense escalate, and once the storyline reaches its climax, it plays out in true page-turner fashion.
Troy and Finn’s interactions throughout the story are part antagonistic, part full-on sexual, and their relationship builds from that as well as the eventual realization on Finn’s part that he’s going to have to give up the ghost, so to speak, and stop trying to make Troy the enemy. As feelings change and begin to look a lot like two men falling in love, the underlying question they can’t answer for sure is, how much is this metaphysical mystery manipulating them and their emotions. Finn’s not only skeptical about nearly every aspect of Troy’s theories on what happened to Teddy and Wash, but he’s so busy hanging on to the past that he can’t see what a great future Troy’s offering him, and I liked how these relationships contrasted—we see what a gift it is for Troy and Finn to be able to live together openly, a luxury that Teddy and Wash didn’t have. And, it may well have cost them their lives.
Across the East River Bridge, in its second go-round, is every bit as good now as it was in its original release. Whether you’ve read it before, or are considering reading it for the first time, I can say it’s a solid story that comes highly recommended.
You can buy Across the East River Bridge here: